Showing posts with label Voices. Show all posts
Showing posts with label Voices. Show all posts

Monday, October 26, 2020

Hearing Voices

 

Surprisingly, one question that’s been posed to me numerous times is, “Do you hear your characters’ voices in your head?” The answer is, of course. Although not audible voices, every character I write about speaks to me at one time or another.

Each character has his or her own personality, and his or her own habits. Fictional characters are just as individual as real people.

Yes, the characters talk to me. Sandi Webster tells me that she wants to be good at her job, and she’s not always happy when I write that she’s bumbled her way through a situation, or she overlooked something. She wants to be taken seriously. I can’t blame her. I feel the same way. She also tells me how frustrated she is sometimes. Sorry, Sandi, but that’s life.

Livvie Brewster, Sandi’s mother, is menopausal and when she talks, I listen, no questions asked. I always hope she’s remembered to take her hormone pills. Martha Workman, Sandi’s aunt, can be gruff and bossy, but as a retired school teacher she tries to be tactful. Okay, she’s not tactful, and she’s outspoken. These sisters are often pushy and take off in their own direction. Their voices can be loud and demanding.

It’s a bit different when male characters try to talk to me. They don’t always understand the women in their lives. Peter Goldberg is an ex-cop and Sandi’s husband and partner, and he was used to being in charge. He wants to protect Sandi, and he can’t understand why she’s so adamant about being in control of her own destiny.

Stanley Hawks is a meek and mild little man who works for Sandi and Pete and who hasn’t experienced much in his life – that is, until he met and married Felicity, and they had a son. All bets are off as he grows and learns. He talks to me about wishing he could be more like “one of the guys.” I try to help him with his wish.

The animals in my books can be especially fun to listen to, but they can be boring, too. They mostly talk about eating, playing, pooping and sleeping. No surprise there, but every once in a while they tell me they want to play a real part in the stories. Bubba and Clementine can be pushy when the want to be, but they do enjoy watching out for their people. 

There’s a new character on the scene, too (The Accidental Gumshoe – A Sandi Webster Mystery). Sioux Simms is Sandi’s great-great-great-aunt. She was a teenager back in 1920. Listening to her voice was a whole new experience since things were so different in that era. The situations she gets into and the slang in her speech made me sit up and pay attention.

The Bogey Man Mysteries is another series and a whole different set of voices, including that of a young boy. He has to speak a bit louder when talking to me because I’ve never had a son and I don’t always understand what he wants to say or do. The dogs in this series are different, too. They have issues they show me more than they tell me.

Writing about a bad guy or a victim is one of the hardest things to do. They speak to me and say things I’d rather not hear – ugly things and sometimes sad things. I’d rather watch the world through rose-colored glasses, and they won’t allow that. It’s simply not a rose-colored world and they frequently remind me of the realities of life.

Do you ever hear voices in your head? Sometimes they’re just memories or wishes. Or maybe you should be writing a book. Think about it.

Until next time, I wish you a week of rose-colored experiences and peaceful voices – one can always hope for the best.

CLICK HERE to buy mysteries by Marja McGraw.

Just released: The Accidental Gumshoe – A Sandi Webster Mystery (Aunt Sioux can be quite entertaining.)

 

Monday, October 17, 2016

Voices



https://www.amazon.com/s/ref=nb_sb_ss_i_1_8?url=search-alias%3Dstripbooks&field-keywords=marja+mcgraw&sprefix=marja+mc%2Cautomotive%2C559
 This is the book I used to find my "voice."

I write two series and I’ve produced a couple of standalone books. Switching from one protagonist to another can be a little tricky.

I’m preparing to write another book in The Bogey Man series, having recently finished with a book from the Sandi Webster series. Every character in every book needs to have a distinct “voice.” I found myself in a quandary. Would Pamela, Mrs. Bogey Man, end up sounding like Sandi?

If you write a series starring Jane Doe and a series with Mary Smith, you don’t want the two characters to sound alike and be interchangeable.

I decided to sit down and read some of one of the Bogey Man books to “get into voice,” so to speak. It struck me that because of differences in age, lifestyles and families, of course the voices would be different.

Habits are part of the voice, too. Sandi sighs a lot and occasionally rolls her eyes. On the other hand, Pamela has a habit of rolling her eyes frequently and only occasionally sighing. Sure, they can share habits, but only to an extent.

I, personally, both sigh and roll my eyes, habits I hadn’t realized I had until my husband called it to my attention. However, the characters aren’t based on me, other than having a few annoying traits.

There are some traits they can share because they’re things many women can relate to, such as eating chocolate because it’s comfort food.

As I mentioned, lifestyles can make a big difference between characters. Sandi and Pete have only recently married. Chris (the Bogey Man) and Pamela have been married for a few years and have a young son. Sandi and Pete look out for each other. Chris and Pamela have a son to add to their equation. It makes a difference.

Pamela’s husband is a Humphrey Bogart look-alike. He walks the walk and talks the talk. In other words, he uses old-time slang. Pamela’s character needs to fit in with him, but Sandi is too much in the present. Pamela and Chris own a forties-themed restaurant and dress the part. Sandi is a jeans and comfy shirt woman. Major differences.

In the two standalone stories, there were more differences. I couldn’t let the protagonists take on traits of Sandi or Pamela. They each needed personalities of their own and they needed fresh, new voices. I had to wipe the two series women out of my mind, which isn’t as easy as it sounds.

If you’re writing books with different protagonists, try reading aloud in the voice of each character. See if they sound alike or not. Better yet, have someone else read a piece from each person. You can make the words sound any way you want them to, but an outsider will read it the way it appears on the page. Does that make sense? I hope so.

So, now you have a few of my thoughts about voices. Any thoughts you’d like to share about keeping them separate and unique?

Until next time, think about the voices you’ve read in the books of prolific authors. Do they manage to keep voices fresh?

CLICK HERE to visit Marja McGraw’s website
CLICK HERE for a quick trip to Amazon.com