Showing posts with label Suspense. Show all posts
Showing posts with label Suspense. Show all posts

Monday, November 5, 2018

Marilyn Meredith, Guest Author


Today my guest is Marilyn Meredith (F.M. Meredith), a long time friend and one of my favorite authors. I asked her what's coming up now that Tangled Webs has been released and, by the way, it's a book I just started. Welcome, Marilyn!



WHAT’S NEXT?

That’s the question Marja asked me to address.

Several things come to mind. First, I’m going to be busy promoting Tangled Webs. October was chock full of events and I have a few lined up for this month. Plus Thanksgiving is always a big celebration at our house, so preparations for that have to be taken into consideration.
 https://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&field-keywords=F.M.+Meredith

Will there be another Rocky Bluff P.D. mystery? I certainly hope so, and by the time this blog appears, I should have some basic idea of what the next mystery should be and what might be happening in the lives of my ongoing characters. (Actually, I’ve got a good start on it, though haven’t a title in mind yet.)

Oh, and I didn’t mention that I soon will have a book coming out in the Deputy Tempe Crabtree mystery series too, so plans will have to made for promotion for that one too.

After saying all that, I’m going to put a disclaimer in here—because life happens, and none of us really know what the future holds. If there are no unexpected happenings, the above is what’s next.

I want to thank Marja for hosting me today—she’s been a friend for a long time, one I’ve actually met in person and had several conversations with.

Marilyn writes the RBPD series as F. M. Meredith

Blurb: Too many people are telling lies: The husband of the murder victim and his secretary, the victim’s boss and co-workers in the day care center, her stalker, and Detective Milligan’s daughter.


Bio: F. M. Meredith who is also known as Marilyn once lived in a beach town much like Rocky Bluff. She has many friends and relatives in law enforcement. She’s a member of MWA, 3 chapters of Sisters in Crime and serves on the PSWA Board.

Facebook: Marilyn Meredith
Twitter: @marilynmeredith

Next I’m hopping over to https://jrlindermuth.blogspot.com/ and revealing my Writing Habits.

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CLICK HERE to visit Marja McGraw's website
CLICK HERE for a quick trip to amazon.com

Monday, October 1, 2018

Jean Henry, Guest Author


This week I’m welcoming my friend, Jean Henry, for a visit. I’m in the process of reading her latest book. I’ll let her tell you about it since I haven’t finished it yet. I know you’ve had a rough time thanks to a huge storm, and I’m amazed to see a new book already. Thank you for joining us this week.


Thanks, Marja, for this opportunity to talk about my latest release, Girl on the Precipice.
While I was writing the novel, Hurricane Harvey flooded my home as well as my computer, and thanks to Marja saving a rough draft of the book for me via the Internet (ahead of the storm), I was able to reconstruct and complete the novel since returning to my native California.
 https://mail.google.com/mail/u/0/#inbox/FMfcgxvxBXztjMzmxkWJHJGBgBfpfPst

When I began writing Precipice, the Me Too Movement had yet to begin, and although my book only hints at sexual abuse, it does feature physical and emotional abuse first enacted by my protagonist’s husband, Todd. It also focuses on a lack of respect for women, an age old problem.

Lauren Mason Bleaker is a young southern California woman who is transplanted on a Wyoming mountaintop ranch when she marries a sailor in Long Beach, after her adopted parents are killed. So far, the story is more or less autobiographical.

The ranch is referred to as the concentration camp because Todd strings eight closely-woven barbed wire stands around the ranch when Lauren tells him she’s lonely, bored and wants to leave. Todd becomes her jailer and is increasingly abusive. Then, unbeknown to Lauren, he’s stockpiling contraband in the barn where she’s forbidden to go.

Lauren manages to adjust to the foreign way of life until Todd’s mother dies and Todd’s demeanor changes dramatically. She’s then so miserable and depressed living in a decrepit old ranch house without television, phone, Internet or modern appliances, she stands on a precipice at the ranch and contemplates suicide. But Lauren decides at the last moment to attempt an escape instead. What she encounters afterward is a story of suspense when Todd’s criminal partners get involved. 

A bit of humor and new friends’ loving relationships weave their way through the plot, so I assume the novel could be considered romantic suspense.

I wrote the book as Jean Henry due to a recent divorce and the fact that it’s easier than trying to fit the name on a book cover than Jean Henry Mead. I hope my readers will stay with me despite the name change and the ever-increasing stockpile of books on the Internet. : )

Thanks for stopping by.

Excerpt:
Lauren watched an eagle glide across the rock-studded canyon, wishing she had that freedom to escape her miserable life. Tenting her fingers, she closed her eyes to beg forgiveness for what she was about to do. The sound of a rattle stopped her mid-prayer, prompting an instinctive jump aside. The coiled snake threatened from a few feet to her right. If she were going to leap, now was the time. A snake bite was a painful way to die. It was better to get it over quickly. Removing her headband, she flung it at the rattlesnake to distract it. Realizing too late that the snake would interpret that as an act of aggression, she immediately dropped to slide over the precipice.

The rocky canyon wall sloped outward far enough to prevent her from jumping straight down, so she slid on her backside a few yards from the edge, She then grabbed a stump of juniper to stop her forward motion when she noticed jagged rocks littering the canyon floor. No more than sixty feet deep, the chasm represented what her husband Todd referred to as the snake pit. Why hadn’t she remembered that until now? There had to be a better way to end her life. 

Todd would arrive home soon. Cringing, Lauren imagined him stomping into the old ranch house from the south pasture, covered in tractor grease and mud, expecting dinner. A feeling of revulsion overcame her, causing Lauren to reconsider her  leap. 

Life on the isolated ranch had become a nightmare in progress, steadily growing more unbearable as time crawled by. The eight strands of barbed wire had been so closely strung that she was unable to climb through the fence; the gates padlocked and topped with even more wire. Wire cutters and other tools were locked in the barn and Todd wore the key on a chain around his neck. The only unfenced area of the ranch was along this canyon where he obviously thought she wouldn’t attempt an escape. She was a prisoner without a phone, TV, or Internet in her husband’s desolate concentration camp.

Bio:

Jean Henry, aka Jean Henry Mead, began her writing career as a news reporter and photographer in California, later serving as a staff writer and magazine editor in Wyoming, while a correspondent for the Denver Post’s Empire Magazine. As a photojournalist, her magazine articles have been published domestically as well as abroad and she worked as editor of two small presses. Girl on the Precipice is her 23rd book. Her publications include mysteries, suspense, children’s mysteries, historicals and nonfiction.


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CLICK HERE to visit Marja McGraw’s website
CLICK HERE for a quick trip to Amazon.com

Monday, June 12, 2017

Murder in the First...



…chapter, that is. I once talked to an author who said someone told her you have to write a murder into the first chapter of your book or the story won’t make it. The comments was also made that a mystery isn’t a mystery unless there’s a dead body in it. These comments made me sit down and think about writing. There’s no formula for a mystery other than the story the writer wants to tell.

Many mysteries need to build up to the crime. You can open the book with the murder, but many times you then have to tell a back story. Why did this crime happen? What led up to it? Who was the victim? Do I, as a reader, even care about the victim? I certainly haven’t learned much about him or her if they were killed in the first chapter. What made this person tick? Why would someone murder this person?

Many television shows seem to begin with the dead body, and then the investigator(s) have to learn the back story through leads and clues. They need to keep the viewing audience glued to the screen. Books can keep you interested by carefully laying the groundwork for what’s to come. Each chapter can include a cliffhanger at the end to keep the reader guessing and interested, even if the murder doesn’t happen up front.

Some victims are actually a bad person to begin with. By building up to the death, you can create a very unlikable victim – or you can make him sympathetic because he had a horrible background which molded him into a bad guy. Some people are victims of circumstance.

Other victims are good people. Maybe someone was just in the wrong place at the wrong time. As a reader, I’d like to know how that person ended up in the wrong place, and why he or she had to die. I’ve heard people say there are no coincidences. I don’t believe that. Sometimes things just happen, for no apparent reason (like in wrong place, wrong time). There are all kinds of scenarios.

Then we come to the comment that a mystery isn’t a mystery unless there’s a murder. Not so, I guarantee you. I’ve read some great mysteries where no one was killed. A missing person can be a mystery. The neighbor in a book might think that Fred Smith from down the street is acting suspicious – and his wife hasn’t been seen in two weeks. So maybe the neighbor sets out to see if Fred murdered his wife and buried her body in the backyard. It makes sense to the neighbor because she never did like Fred anyway. He always came across as an off-putting man.

Sometimes suspicious acts can be misconstrued because that’s what the observer wants to see, and in that scenario lies a mystery. It could turn out that Fred is hard of hearing, or painfully shy, and this makes him come across differently than he really is. And it could also turn out that his wife left suddenly, during the night, to take care of a sick relative. In the meantime, it was a mystery until the facts were revealed. The snoopy neighbor is either going to be embarrassed for her suspicions, or she’ll feel good that she found out the truth.

Just to add a twist, what if the neighbor began digging around in the neighbor’s backyard and found bones that had been buried there for a very long time, as in an historical murder that happened long before Fred was even a twinkle in his parents’ eyes? A twist always adds to the fun.

With all of this said, I have to admit that a few authors have hooked me in the first paragraph or two with a dead body, but not often. You can hook a reader without a corpse, too.

So, if you enjoy a good mystery, don’t worry about when the person dies, or when the body is discovered, and don’t worry if there isn’t a body. Just enjoy the trip that takes you from Chapter One to The End, whether you’re the reader or the writer.

Until next time, I hope you have a good week and that no bodies show up in your neighbor’s backyard.

CLICK HERE to visit Marja McGraw’s website
CLICK HERE for a quick trip to Amazon.com


Give them a try, please. They might surprise you.

Monday, May 22, 2017

Nervous Laughter and Alfred Hitchcock



The other day I watched a rerun of an old Dick Cavett Show. His guest was Alfred Hitchcock, and it was a wonderful interview.

I’m probably one of only a few who’d never heard Mr. Hitchcock interviewed. He had an understated and droll wit, and I found myself laughing at his comments. I love a dry humor.

What amazed me is the insight he had into people and what makes them tick. For instance, he talked about fear and that people love to be frightened. He was right. He used a roller coaster ride as an example. People ride up and down at extreme angles and scream throughout the entire ride. When they get off? They’re laughing and giggling. 

Yes, people love to be frightened. Why else would they enjoy reading about haunted houses, ghosts and monsters, and secret rooms? Why else would they watch a horror movie and find themselves talking to the television, saying, “Don’t open that door!” “Don’t go outside alone!”

One time my mother was home alone and there was a scary movie on TV that she wanted to watch. So she called me on the phone and had me turn it on, and then she wouldn’t hang up until the movie was over. I had to laugh at that one, and so did she.

We write mysteries. We’re not directors or actors. However, we can write scenes that will keep the reading audience on the edge of their seats. Interestingly, we can write suspenseful and frightening scenes that will make the reader laugh, regardless of whether it’s nervous laughter or humorous giggling. Our characters can feel the fear that makes them giggle, just like real honest-to-goodness people, and we can include this trait in their reactions.

Like many people, I have a fear of spiders. I once lived in a very old house with a black widow issue. I was cleaning the entryway floor and wearing slippers, and all of a sudden a black widow dropped from the ceiling onto the toe of my slipper. I kicked, trying to throw it off, but as I backed up it followed me. I was being stalked by a black widow! And I started to laugh. I laughed so hard that I cried. Maybe it was really hysteria. Anyway, I finally realized that the spider had attached itself to my slipper with a web, and when I moved, it moved with me. That poor ol’ spider ended up as nothing but a grease spot on the floor. After all, I had two slippers. Maybe it’s not a good idea to mess with someone who’s scared.

Mr. Hitchcock also explained how certain scenes were filmed in his movies. I guess you’d have to call the procedure early special effects. We can include special effects in our books, too, through descriptions.

Remember the shower scene in Psycho? I know a couple of women who, to this day, won’t take a shower. Hitchcock knew how to terrify viewers.

Years ago I read a book written by an author who happened to use the area where I lived as her location. Because I recognized the places and streets she described in her book, it frightened me. It was familiar and scary, and it was about a serial killer who was stalking the small town where I lived. Maybe that’s one of the keys – using a location people can relate to.

Scenes that are too graphic generally don’t make me laugh. It’s the anticipation leading up to a frightening event that can make me chuckle nervously. I have to admit that I’ve read stories in the newspaper that were so bizarre and terrifying that they made me laugh.

How about you? Does fear make you laugh? Did Alfred Hitchcock know how to push your buttons?

Until next time, I hope you have a carefree week with no black widows or monsters to worry about.

CLICK HERE to visit Marja McGraw’s website
CLICK HERE for a quick trip to Amazon.com

https://www.amazon.com/s/ref=nb_sb_ss_c_1_7?url=search-alias%3Dstripbooks&field-keywords=marja+mcgraw&sprefix=Marja+m%2Caps%2C268&crid=245WQ7X2QR9PV&rh=n%3A283155%2Ck%3Amarja+mcgraw
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